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The answer to this is in the quality of the B-sides, which are every bit as good as the better-known A-sides. When plugged in and played they tapped into an unearthly Martian scale with the power to raise Edgar Allan Poe from the dead! Serpent Power make 21st century psychedelia that takes its cues from no-one, and is powered only by the twisted wheels of their own imagination.
From the signature “Spoonful” down to the closer “Tell Me,” Howlin’ Wolf is at his absolute best. Consider if you will a small selection of choice moments - the clattering drum groove on 'Gates Of Heaven'; the satanic northern soul of 'Witching Hour'; 'Howling' with its atmospheric analogue synths and eerie vibe; or 'Jekyll And Hyde' which sounds like Abba and Sparks trading riffs and musical motifs while bonding in a Cairo opium den. Serpent Power make dark but spiritual music that's beholden to no predecessors, music to help you explore your mind's own corners and recesses.
One of his best loved LPs, Howlin’ Wolf is widely recognized as one of the all-time cornerstones of Chicago Blues (it was also named the third greatest guitar album of all time by Mojo magazine in 2004). Harry Edison had recorded with Holiday on just one session during the thirties (on December 14, 1939, which also featured Lester Young and Buck Clayton). The name Serpent Power originally belonged to Skelly's backing band during his solo tour; they chose to adopt the name for this particular project.
The first side features iconic singles like “The Red Rooster”, and “Wang-Dang- Doodle”. However, he would back her on three sessions during the singer’s time with Granz, in 19 (issued on the albums Lady Sings the Blues , Music for Torching and Velvet Moods ). Their self-titled debut saw release in May 2015, on the Skelly family label Skeleton Key Records.
However it’s on the second side that Wolf really steps into the light and delivers his dynamic and unique voice like never before. After the sessions with Webster, Edison would also be present on Billie Holiday’s last studio sessions ever, recorded in March 1959 under the direction of Ray Ellis. Their strange musical odyssey continues with the release of 'Electric Looneyland', the duo's second long-player following on from 2015's eponymous debut.
Getz was determined to be the one to break the sound to American ears and on 13th February 1962 recorded ‘Jazz Samba’, the first in a series of albums he recorded using the seductive Brazilian rhythm. After the stripped down sound of the first album, Getz went ‘Big Band Bossa Nova’ later that year with a much larger ensemble. You can find the proof of what happened next within this lavish, generously proportioned box set containing the first half of The Flower Kings’ extraordinary catalogue of immersive, immaculate studio albums.
I have no plan to abandon everything that we’ve ever done, but there are literally millions of different sounds out there, it’s like different colors to paint with.”The 11-track offering, which seeks to fuse the sounds of pop, dance, acoustic instrumentation and Southern stylings, features two tracks co-written by Pharell Williams and two tracks co-produced by Justin Timbaland.“Sir Rosevelt is a new chapter in addition to Zac Brown Band,” says Zac. Get ready.” Billie Holiday ‘All Or Nothing At All’ was originally recorded during 1956-57 and eventually released by Verve Records in 1958. While CD1 concentrates on sides conducted or arranged by Benny Carter, CD2 is focused on those tunes which feature him as a performer backing Lee.