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She not only manages that with ease, she has written a pantomime which challenges the heteronormative narrative of most fairy tales, sprinkled lightly with pink roses, kale lollies, a mischief of rats and some dancing sugar plum recycling fairies. [more] See also reviews by: John C Ross Ewen Coleman (The Dominion Post); Plenty to delight and amuse Nothings personal in a cul-de-sac, declares Lisa (Tess Jamieson Karaha), the central character.Indeed, there is much washing of dirty laundry in public, and in particular, the sex lives or lack of them of all the characters get pretty full treatment.The week-long performance workshop is led by trained practitioners, designed to give aspiring performers, aged 13 to 18, an introduction to some of the essentials for theatre.Students try their hands at a range of fun and exciting theatre skills, from movement and singing, to stage combat and acting for stage and camera.Online dating is now widely accepted as a valid, convenient & fun way of meeting like-minded people.
The nominees and winners in the 2017 NZ Comedy Guild Awards continues to showcase the best and brightest in Aotearoas diverse and thriving comedy scene.
Would you enjoy giving people the opportunity to participate in the arts as donors? The Arts Foundation is calling for expressions of interest from people keen to join our team.
[more] - CENTREPOINT SUMMER SCHOOL TO RETURN IN 2018 Manawatūs professional theatre Centrepoint is hosting its wildly popular summer school in Palmerston North and Whanganui in January 2018.
Across the growing range of mediums online, on television, in film, print and radio, our comedians are not just doing a great job of reflecting our kiwi humour back at us, but increasingly bringing our brand of funny to rest of the world, said Debs Mc Smith, Chair of the NZ Comedy Guild.
[more] - THEATREVIEW IN 2018 While our funding challenges continue, Wellington City Council Arts & Culture and some dedicated and valued donors have given Theatreview a base amount to build on for the first quarter of 2018.
Based on a concept by Lori Leigh and Sam Irwin, who is also the script-editor and producer, it is directed by Hilary Penwarden.